Flor Indra
lor Indra (2022) Is a digital artwork in which figurative-abstract swirling patterns, bright and contrasting colors, and intricate floral designs are reminiscent of the psychedelic art movement from the 1960s and 1970s. I wanted to explore this style because it often aims to evoke a sense of altered perception and vibrant energy. Modeled on a dear friend, drawings of the session are also available!
The bright colors and intricate designs create a dynamic and captivating aura, celebrating Afro-centric beauty and cultural heritage with a modern, artistic twist. The overall effect is both stunning and elegant, blending natural elements with abstract art in a harmonious and visually engaging way.
Dimensions: 24 x 36 inches
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Artisan Archival Canvas Stretched Mounted Image Wrap – 2.5″ Deep
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Kama-Lizard
Read moreKama-Lizard (2025) fuses eroticism and contemplation through a hybrid body reclaiming sensuality as wisdom. The entwined figures challenge patriarchal shame around female pleasure, positioning the lizard as philosopher rather than primitive. Within Caribbean feminist cosmologies, desire becomes resistance—a sacred intelligence bridging body, instinct, and spiritual sovereignty.
Dimensions: 12 in x 16 in. Original artwork – Watercolor on canvas paper
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Snail & Butterfly
Read moreSnail & Butterfly (2026)
Original Linocut Print
12 in × 16 in
Hand-pulled linocut on archival premium paperA quiet collision between gravity and flight. Snail & Butterfly explores two radically different tempos of existence sharing the same fragile world. The butterfly rises like a fleeting thought, luminous and untouchable, while the snail moves with ancient patience, carrying its entire home across the earth grain by grain. Together, they become a meditation on transformation, endurance, and the strange beauty of moving through life at your own rhythm.
Carved by hand and printed through the tactile traditions of relief printmaking, this original linocut embraces the expressive imperfections of the medium: rich blacks, textured cuts, and sharp contrasts that give the piece a cinematic intensity. The layered patterns and architectural shadows create a dreamlike tension between nature and structure, softness and survival.
Printed on archival premium paper, this work is both delicate and bold, designed to hold its presence in contemporary interiors, studios, libraries, or intimate personal collections.
Each print carries the unmistakable texture and physicality of handmade printmaking, where every carved line records the artist’s gesture like a visual heartbeat. 🦋🐌
Dimensions: 12 in x 16 in. Original artwork – printed on Archival premium paper.
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Chicken Without a Head
Read moreChicken without a Head (Vegigante in Flatiron) (2025)
Feeling like a chicken without a head is a common experience of those who first arrive to the city. This piece presents a vivid, surreal scene where a flamboyant chicken becomes a vejigante mask—painted in fiery reds, golds, and oranges. The head floats through an abstracted urban landscape of New York City. Feeling like a chicken without a head is a common experience of those who first arrive to the city. Buildings are massive and The Flatiron Building rises ghostlike in the background, its iconic triangular form softened by expressive brushstrokes of blue, lavender, and white. The contrast between the playful, horned mask and the monumental city architecture creates a vibrant collision of cultural iconography and modern urban space.
This artwork embodies the dialogue between Puerto Rican tradition and the modern metropolis. The vejigante, a folkloric figure rooted in Afro-Caribbean, Spanish, and Taíno heritage, bursts into the New York streets with carnival intensity. Its horns pierce through the cool geometry of the city, symbolizing the persistence of cultural identity in spaces often marked by anonymity and erasure.
The Flatiron, a landmark of New York’s architectural modernity, becomes both stage and backdrop for this transposed festival spirit. Here, the vejigante does not merely arrive—it claims space, turning steel and stone avenues into a living canvas of rhythm, resistance, and celebration. The painting suggests that diasporic identity thrives through visibility: tradition and folklore are not lost in migration, but rather reinvented and made monumental against the skyline of the diaspora city.
Dimensions: 33 in x 48 in. Original artwork painting. Acrylic on canvas, some mixed media.
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Mother Colors
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